Julia Roberts exposes original dark plotline of iconic 90s movie Pretty Woman
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Julia Roberts exposes original dark plotline of iconic 90s movie Pretty Woman
In a recent interview with Variety, Julia Roberts shed light on a surprising aspect of the beloved 1990 film Pretty Woman: its original, much darker plot.
Roberts revealed that the initial script for Pretty Woman was far more gritty and realistic than the final version. The iconic fairytale romance between Vivian Ward (Roberts) and Edward Lewis (Richard Gere) was originally intended to be a much more complex and potentially exploitative relationship.
Here's a glimpse into the darker version of Pretty Woman:
- Prostitution angle: The original script focused heavily on the transactional nature of Vivian and Edward's relationship, with Vivian explicitly working as a prostitute.
- Substance abuse: Both Vivian and Edward were depicted as struggling with addiction, adding a layer of darkness and desperation to their interactions.
- Violent ending: The original script concluded with a much bleaker ending, leaving Vivian's future uncertain and potentially tragic.
Reasons for the change in tone:
- Audience reception: Concerns arose about the potentially negative reception to a film depicting such a dark and exploitative relationship.
- Julia Roberts' discomfort: Roberts reportedly felt uncomfortable with the original script's portrayal of Vivian, leading to revisions that empowered her character.
- Commercial viability: Aiming for a wider audience and box-office success, the studio opted for a more optimistic ending and a focus on romance.
The final version of Pretty Woman became a cultural phenomenon, capturing hearts and achieving massive commercial success. While the original script's darker elements remain intriguing, it's impossible to deny the enduring impact of the film's final, more uplifting portrayal.
It's worth noting that this information about the original plot is based on Julia Roberts' interview. Other sources may offer differing details or interpretations. Ultimately, it's up to each individual to decide how they view the original concept and its potential impact on the film.
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